World Gaming Magazine

25 WGM #60 2018/07 wgm8.com 该公司长期以来对负责任博彩的推广。 资料馆还展示了旧时期的赌桌及赌具,同时让参观者 有机会体验一把做荷官的感受。 该展览利用了旧时在澳博旗下娱乐场使用的四张旧赌 桌,用来玩百家乐、21点、番摊及骰宝游戏,工作人员讲 解了荷官在为每种游戏发牌时必须遵循的机制。 参观者亦可体验用棍子分离番摊纽扣,或者骰宝游戏 中推动半手动器皿的杠杆来摇骰。番摊赌具还包括以前贵 宾客户在上层“贵宾专区”下注用的吊箩。如果你想切身 体验这个“吊箩游戏”,不妨前往位于澳门外港客运码头 附近的回力娱乐场,他们至今仍设有两张这样的赌桌。 sic bo with gallery staff explaining the mechanics dealers had to follow when dealing each game. Visitors can also practice ordering fantan beads with a stick or push the lever of the semi-manual chest to shake the dice in sic bo. The fantan table includes a wicker basket used by VIP gamblers to place bets from their “exclusive zone” located on the upper floor of Macau’s old casinos. If you want to see this “basket game” in real action, Jai Alai – located near the Macau Ferry Terminal – still has two tables utilizing the system to this day. The center of the exhibition hall is occupied by a magnificent old roulette table. While lacking the slick design of the current models, the gallery’s wheel still delivers a classic, steady and harmonious spin. Alongside roulette, visitors can view an old tombola and lotto drums, all of them moved manually of course, and even a device once used to signal Macau’s typhoon warnings! Some decades ago, casinos were allowed to close their doors only once an approaching typhoon’s strength reached level 10, so it was essential for gamblers to know the evolution of the storm and when their betting might be interrupted or resumed. Chips, cards, tiles and two classic slot machines are part of the exhibits too, complemented by videos, pictures and explanations in Chinese of local gaming landmarks. The Gallery is located at Zone F, 3rd Floor, Lisboa Crystal Palace in Hotel Lisboa and is open from 12:00 to 18:00 every day. Entry is free. 展厅中央是一张大型旧式轮盘赌桌。尽管设计不如现 代新式赌桌精巧,但操作起来依然稳健流畅,散发浓浓经 典气息。轮盘旁边,参观者可以看到古老的手动彩券及乐 透鼓,甚至还有一个曾经用来显示澳门台风预警的装置! 几十年前,只有在台风强度达到十级时,才允许娱乐场关 门,因此赌客需要关注风暴的演变进程,以判断他们的赌 注何时可能中断或恢复。 展品还包括筹码、纸牌、瓷砖和两台经典角子机等, 并辅以有关本地博彩地标的中文视频、图片和解说。 资料馆位于葡京酒店水晶宫三楼F区,每日中午十二时 至下午六时免费开放予公众入场参观。

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